Musikvidenskabeligt Institut, Københavns Universitet

Ph.d.-kursus i musikvidenskab på Musikvidenskabeligt Institut, Københavns Universitet, Danmark, 8.-12. maj 2000

Beskrivelse og fortolkning
Deltagere

Hallgjerd Aksnes, hallgjerd.aksnes@imt.uio.no, Institut for Musikk og Teater, Universitetet i Oslo
Perspectives of Musical Meaning: A Study Based on Selected Works by Geirr Tveitt

Owe Ander, Owe.Ander@music.su.se, Stockholms Universitet
Aspects on the Instrumentation and Orchestration (Technique) in the Symphonies of Lindblad, Berwald and Norman

Sigbjørn Apeland, stud3871@student.uib.no, Institute of Music, Faculty of Arts, University of Bergen
The Church Music Discourse. Construction and Maintenance of Norwegian Church Music as a Cultural Field

Jakob Cloos Bojesen, clo@musik.auc.dk, Institut for Musik og Musikterapi, Aalborg Universitet
Computer Music Aesthetics – Development of Computer Artefacts from the Perspective of Music Aesthetics

Anders Bonde, abonde@musik.auc.dk, Institut for Musik og Musikterapi, Aalborg Universitet
Interference or “the In-between” in 20th Century Music

Ingrid Loe Dalaker, ingrid.dalaker@hf.ntnu.no, Musikkvitenskapelig institutt, NTNU, Trondheim
A Revision of the Essentialist and Evolutionalist Traditions of Interpreting the French-Norwegian composer T.D.A. Tellefsen (1823-74)

Jette Barnholdt Hansen, barnholdt@roskilde.mail.telia.com, Musikvidenskabeligt Institut, Århus Universitet
Sounding Speech. The First Court Operas and the Reception of Rhetoric in the Late Renaissance

Iben Have, musih@mail.hum.au.dk, Department of Musicology, University of Aarhus
The Meaning of Music In Television

Mats D. Hermansson, mats@murrays.nu, Inst. f. Musikvetenskap, Göteborg
The Scottish Piping and Druming Culture in Scandinavia

Jens Hesselager, hesselag@hum.ku.dk, Musikvidenskabeligt Institut, Københavns Universitet
Instrumentation in 20th Cent. Music

Fabian Holt, fabian@stud.hum.ku.dk, Musikvidenskabeligt Institut, Københavns Universitet
The Cool Tradition in Jazz

Eva Marie Jensen, Center for Kunst og Kristendom, University of Copenhagen
Escatological Aspects of Symphonic Music 1890-1920

Jesper Juellund Jensen, jjj@cyrk.dk, Musikvidenskabeligt Institut, Københavns Universitet
Analysis of Popular Music

Tore Tvarnø Lind, tore.t.lind@image.dk, Musikvidenskabeligt Institut, Københavns Universitet
The Preservation of Byzantine Musical Tradition on Mt. Athos. An Ethnomusicological Investigation.

Jesper Thøis Madsen, Jesper.Thoeis.Madsen@dig.sdu.dk, Dansk Institut for Gymnasiepædagogik, Odense
The Teaching of Analysis of Popular Music in Highschool

Henrik Marstal, marstal@hum.ku.dk, Musikvidenskabeligt Institut, Københavns Universitet

Paul Naylor-Gray, Paul@naylor-gray.freeserve.co.uk, Birmingham
Mahler

Hans Christian Nielsen, hanschr@hum.ku.dk, Musikvidenskabeligt Institut, Københavns Universitet
Rhythm Structures in Caribbean Popular Music

Henrik Næsted, hnhnhn@usa.net, Musikvidenskabeligt Institut, Københavns Universitet
Musical Expressiveness

Tobias Pettersson, Tobias.Pettersson@gfs.gu.se, Inst. f. Musikvetenskap, Göteborg
Music, Morals, and Masculinity: Music History Writing and Value Aesthetics in Sweden ca. 1880-1930. Towards a Musichistoriographical Understanding of the Concept of Genius

Eva Rungwald, eva.rungwald@sfm.ntnu.no, Senter for middelalderstudier, NTNU
A Comparative Study of Words and Music in 1st Mode Office Antiphons in Early Sources of Gregorian Chant

Erik Steinskog, erik_steinskog@yahoo.com, Department of Musicology, NTNU
Arnold Schönberg's "Moses und Aron": Music, Language, and Representation

Björn Vickhoff, bjorn.vickhoff@mailbox.calypso.net, Inst. f. Musikvetenskap, Göteborg
Gonzaguinha 1945 - 1991, Brasilian Composer, Songwriter, Singer and Guitarist

Hans Weisethaunet, Hans.Weisethaunet@grieg.uib.no, Institute of Music, Faculty of Arts, University of Bergen


 
Forside

Sidst opdateret: 9. april 2000