{"id":317,"date":"2015-07-25T17:10:40","date_gmt":"2015-07-25T15:10:40","guid":{"rendered":"http:\/\/cyrk.dk\/jjj\/musikblog\/?p=317"},"modified":"2018-12-16T19:13:52","modified_gmt":"2018-12-16T18:13:52","slug":"nokia-melodien","status":"publish","type":"post","link":"https:\/\/cyrk.dk\/jjj\/musikblog\/?p=317","title":{"rendered":"Nokia-melodien"},"content":{"rendered":"<p>Historien om \u201eNokia-melodien\u201c er ikke ny, se fx\u00a0<a href=\"http:\/\/lumiaconversations.microsoft.com\/2014\/04\/25\/nokia-tune-just-ringtone\/\">Nokia Tune: more than just a ringtone<\/a> p\u00e5 Microsofts website. Men hvad \u00e9r det egentlig ved melodien, der g\u00f8r, at den er s\u00e5 velegnet som ringetone? Hvorfor kan man holde ud at h\u00f8re den igen og igen?<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-318 size-full aligncenter\" src=\"http:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-uden-taktart.png\" alt=\"Nokia-melodi uden taktart\" width=\"537\" height=\"62\" srcset=\"https:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-uden-taktart.png 537w, https:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-uden-taktart-300x35.png 300w\" sizes=\"auto, (max-width: 537px) 100vw, 537px\" \/>\u00a0Jeg mener, at en af grundene er det tvetydige metrum: Starter melodien p\u00e5 1-slaget eller med optakt? Pr\u00f8v selv at h\u00f8re:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/146293316&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>Jeg selv h\u00f8rer den umiddelbart mest som en\u00a0melodi med optakt:<\/p>\n<p><a href=\"http:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-med-taktart-alternativ.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-319\" src=\"http:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-med-taktart-alternativ.png\" alt=\"Nokia-melodi med taktart - alternativ\" width=\"544\" height=\"70\" srcset=\"https:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-med-taktart-alternativ.png 544w, https:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-med-taktart-alternativ-300x39.png 300w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><\/a><\/p>\n<p>Det skyldes to forhold:<\/p>\n<ul>\n<li>Rytmen kort-kort-lang-lang-kort-kort-lang-lang o.s.v. l\u00e6gger mest op til, at de korte noder er optakt.\u00a0Det underst\u00f8ttes blandt andet af\u00a0reglen MPR 5 a i <a href=\"http:\/\/www.amazon.co.uk\/exec\/obidos\/ASIN\/0262120941\/cyrk\">Lerdahl og Jacobsens <em>A Generative Theory of Tonal Music<\/em><\/a> (1996, s. 84): \u00bbPrefer a metrical structure in which a relatively strong beat occurs at the inception of \u2026 a relatively long pitch-event \u00ab Med andre ord: Man vil foretr\u00e6kke\u00a0et metrum, hvor 1-slaget (det relativt tunge slag) falder p\u00e5 l\u00e6ngere toner\u00a0(og modsat).<\/li>\n<li>Der vil\u00a0v\u00e6re en tendens til at h\u00f8re dybe toner som toner p\u00e5 1-slaget, mens lyse toner mere oplagt h\u00f8res som mindre betonede\u00a0slag. Man kan fx t\u00e6nke p\u00e5 en rytme som \u201ebum-tjik-bum-tjik\u201c, der mest oplagt h\u00f8res som betonet-ubetonet-betonet-ubetonet (1-2-3-4).<\/li>\n<\/ul>\n<p>P\u00e5 den anden side er der forhold, der peger i en anden retning, s\u00e5ledes at melodien kan h\u00f8res,\u00a0s\u00e5\u00a0den\u00a0starter p\u00e5 1-slaget:<\/p>\n<p><a href=\"http:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-med-taktart.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-320\" src=\"http:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-med-taktart.png\" alt=\"Nokia-melodi med taktart\" width=\"544\" height=\"62\" srcset=\"https:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-med-taktart.png 544w, https:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/02\/Nokia-melodi-med-taktart-300x34.png 300w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><\/a><\/p>\n<p>Det skyldes is\u00e6r slutningen, hvor det er mest tilfredsstillende at h\u00f8re sluttonen p\u00e5 et betonet slag. Desuden er der s\u00e5 en fin linje p\u00e5 1-slagene: e-cis-h-a.<\/p>\n<p>Efter min mening er begge tolkninger i den oprindelige Nokia-melodi \u201eustabile\u201c: Uanset\u00a0hvordan man h\u00f8rer den, ligger den modsatte tolkning latent\u00a0i baggrunden, og netop dette forhold er med til at g\u00f8re, at man kan holde ud at h\u00f8re melodien\u00a0igen og igen.<\/p>\n<p>Hvis melodien ikke spilles helt mekanisk som i den oprindelige Nokia-udgave, kan det naturligvis fremh\u00e6ve en af de to tolkninger. Det h\u00f8res\u00a0fx i udgaven fra 2007 til Nokia N95 med akustisk guitar:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/146293307&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>Her er det helt tydeligt, at melodien starter med optakt.<\/p>\n<p>Udgaven til Nokia N9 og senere modeller fra 2011 starter igen langt mere tvetydigt, men faktisk fremh\u00e6ves udgaven uden optakt senere, hvor der i tredje omgang l\u00e6gges tydelige, fulde akkorder p\u00e5 den f\u00f8rste ottendedel, mens fjerde omgang s\u00e5 igen er mere metrisk uklar:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/146293302&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Inden jeg\u00a0slutter, m\u00e5 jeg hellere n\u00e6vne, at melodien oprindeligt er fra en komposition af\u00a0Francisco T\u00e1rrega\u00a0fra1902\u00a0kaldet\u00a0\u201eGran Valse\u201c:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/3huwi5gxixE?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Og, ja, her er der tydeligvis tale om, at ottendedelene er <em>ikke<\/em> er optakt (alts\u00e5 den anden udgave ovenfor).<\/p>\n<p>L\u00e6s mere her:<\/p>\n<ul>\n<li><a href=\"http:\/\/lumiaconversations.microsoft.com\/2014\/04\/25\/nokia-tune-just-ringtone\/\">Nokia Tune: more than just a ringtone<\/a> \u2013\u00a0fra\u00a0<em>The Microsoft Devices blog<\/em>, 25. april 2014<\/li>\n<li><a href=\"http:\/\/www.computerworld.dk\/art\/229953\/nokia-tune-her-er-historien-om-verdens-mest-kendte-ringetone\">Nokia Tune: Her er historien om verdens mest kendte ringetone<\/a> \u2013 fra <em>ComputerWorld<\/em>,\u00a04. marts 2014<\/li>\n<li><a href=\"http:\/\/nokiatune.audiodraft.com\">Nokia Tune Remake<\/a> \u2013\u00a0h\u00f8r en masse forskellige udgaver<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Historien om \u201eNokia-melodien\u201c er ikke ny, se fx\u00a0Nokia Tune: more than just a ringtone p\u00e5 Microsofts website. Men hvad \u00e9r det egentlig ved melodien, der g\u00f8r, at den er s\u00e5 velegnet som ringetone? Hvorfor kan man holde ud at h\u00f8re den igen og igen? \u00a0Jeg mener, at en af grundene er det tvetydige metrum: Starter [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48],"tags":[52,59,53,54],"class_list":["post-317","post","type-post","status-publish","format-standard","hentry","category-musikteori","tag-nokia","tag-ringetone","tag-rytme","tag-taktart"],"_links":{"self":[{"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/posts\/317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=317"}],"version-history":[{"count":8,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/posts\/317\/revisions"}],"predecessor-version":[{"id":336,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/posts\/317\/revisions\/336"}],"wp:attachment":[{"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}