{"id":284,"date":"2015-01-06T21:18:01","date_gmt":"2015-01-06T20:18:01","guid":{"rendered":"http:\/\/cyrk.dk\/jjj\/musikblog\/?p=284"},"modified":"2015-01-06T21:20:28","modified_gmt":"2015-01-06T20:20:28","slug":"ny-rapport-om-den-kreative-industri","status":"publish","type":"post","link":"https:\/\/cyrk.dk\/jjj\/musikblog\/?p=284","title":{"rendered":"Ny rapport om den kreative industri"},"content":{"rendered":"<p><a href=\"http:\/\/www.ey.com\/Publication\/vwLUAssets\/EY-Creating-Growth-Measuring-Cultural-and-Creative-Markets-in-the-EU\/$FILE\/EY-Creating-Growth-Measuring-Cultural-and-Creative-Markets-in-the-EU.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-288 size-full\" title=\"\ufffcCreating growth \u00b7 Measuring cultural and creative markets in the EU\" src=\"http:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/01\/CreatingGrowth.jpg\" alt=\"\ufffcCreating growth \u00b7 Measuring cultural and creative markets in the EU\" width=\"155\" height=\"219\" \/><\/a>En <a title=\"Pressemeddelelse: K\u00f8benhavn, 3. december 2014: Den kreative industri skaber v\u00e6kst i Europa\" href=\"http:\/\/www.ey.com\/DK\/da\/Newsroom\/News-releases\/pm-den-kreative-industri-skaber-vaekst-i-europa-031214\">rapport fra EY<\/a> (Ernst &amp;\u00a0Young)\u00a0viser, at den kreative industri er\u00a0Europas tredjest\u00f8rste m\u00e5lt p\u00e5 antallet af arbejdspladser med\u00a0over 7 millioner. Det er <a title=\"Politiken: Musik s\u00e6lger igen efter 13 \u00e5rs nedtur\" href=\"http:\/\/politiken.dk\/oekonomi\/virksomheder\/ECE2502171\/musik-saelger-igen-efter-13-aars-nedtur\/\">if\u00f8lge Politiken<\/a>\u00a02,5 gange s\u00e5 mange som bilindustrien. Alene i musikindustrien var\u00a0der i 2012 ansat\u00a01.168.000 personer. Den kreative industri oms\u00e6tter\u00a0for\u00a0knap 4.000 milliarder kroner\u00a0og\u00a0havde en v\u00e6kst i ansatte p\u00e5 0,7 % pr. \u00e5r i perioden 2008-2012, hvor \u00f8vrige industrier havde et fald p\u00e5 0,7 %.\u00a0Egentlig ret tankev\u00e6kkende.<\/p>\n<p>Hvad betydet det s\u00e5 for det evindelige sp\u00f8rgsm\u00e5l om, hvad vi skal leve af i fremtiden i Danmark, og dermed ogs\u00e5 for skolen?\u00a0Traditionelt har det jo v\u00e6ret de naturvidenskabelige fag, der har\u00a0v\u00e6ret i fokus med henblik p\u00e5, at vi skal have dygtige ingeni\u00f8rer, teknikere, programm\u00f8rer\u00a0o.s.v. \u2013 og det skal vi selvf\u00f8lgelig ogs\u00e5 have. Der har dog i de senere \u00e5r v\u00e6ret en stigende\u00a0forst\u00e5else af, at det er innovation og\u00a0iv\u00e6rks\u00e6tteri, der vil\u00a0drive fremtidens \u00f8konomi, ikke mindst inden for det digitale omr\u00e5de. Men som Jakob Fogt, partner i EY, t\u00f8rt <a title=\"Pressemeddelelse: K\u00f8benhavn, 3. december 2014: Den kreative industri skaber v\u00e6kst i Europa\" href=\"http:\/\/www.ey.com\/DK\/da\/Newsroom\/News-releases\/pm-den-kreative-industri-skaber-vaekst-i-europa-031214\">konstaterer<\/a>: \u00bbDe fleste forbinder smartphones og tablets med innovation og udvikling, men det er v\u00e6rd at bem\u00e6rke, at gennemsnitligt 70 % af den tid, der bliver brugt p\u00e5 tablets er p\u00e5 kreativt og kulturelt forbrug.\u00ab S\u00e5 m\u00e5ske skal folkeskolen i h\u00f8jere grad tage arbejdsmarkedsaspektet alvorligt\u00a0for de kreative fag?<\/p>\n<p>For et fag som for eksempel musik er problemet selvf\u00f8lgelig, at en vigtig begrundelse for faget traditionelt har\u00a0v\u00e6ret, at det giver\u00a0\u00e6stetiske oplevelser og erkendelser, som eleverne\u00a0netop <em>ikke<\/em>\u00a0f\u00e5r gennem det kommercielle kulturforbrug, og det skulle jo n\u00f8digt g\u00e5 fl\u00f8jten. Jeg er\u00a0dog nogen\u00a0loren\u00a0ved en for skarp opdeling i\u00a0et kommercielt kulturforbrug (som fx <a title=\"DR: X Factor\" href=\"http:\/\/www.dr.dk\/event\/xfactor\">X Factor<\/a>) og den\u00a0\u201erene\u201c, kunstneriske musikoplevelse. Selv om der er masser af skidt, er der ogs\u00e5 uomg\u00e6ngelige kvaliteter, potentialer og potens i\u00a0popul\u00e6rmusikken, og s\u00e5 meget desto mere som\u00a0den kommercielle kulturproduktion spiller en stadig stigende rolle, m\u00e5 skolen som institution tage den alvorligt.<\/p>\n<p><a href=\"http:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/01\/DRUO.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-289\" src=\"http:\/\/cyrk.dk\/jjj\/musikblog\/wp-content\/uploads\/2015\/01\/DRUO.jpg\" alt=\"DRUO\" width=\"99\" height=\"66\" \/><\/a>PS: Det kan jo s\u00e5 helt aktuelt g\u00f8re en ekstra s\u00f8rgmodig\u00a0over <a title=\"DR nedl\u00e6gger UnderholdningsOrkestret og fokuserer indsatsen for den levende musik\" href=\"https:\/\/www.dr.dk\/DRPresse\/Artikler\/2014\/09\/08\/093610.htm\">nedl\u00e6ggelsen<\/a> af et \u201ebrobygger-orkester\u201c som Danmarks Radios Underholdningsorkester.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En rapport fra EY (Ernst &amp;\u00a0Young)\u00a0viser, at den kreative industri er\u00a0Europas tredjest\u00f8rste m\u00e5lt p\u00e5 antallet af arbejdspladser med\u00a0over 7 millioner. Det er if\u00f8lge Politiken\u00a02,5 gange s\u00e5 mange som bilindustrien. Alene i musikindustrien var\u00a0der i 2012 ansat\u00a01.168.000 personer. Den kreative industri oms\u00e6tter\u00a0for\u00a0knap 4.000 milliarder kroner\u00a0og\u00a0havde en v\u00e6kst i ansatte p\u00e5 0,7 % pr. \u00e5r i perioden [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[30],"class_list":["post-284","post","type-post","status-publish","format-standard","hentry","category-uddannelse","tag-folkeskole"],"_links":{"self":[{"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/posts\/284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=284"}],"version-history":[{"count":8,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/posts\/284\/revisions"}],"predecessor-version":[{"id":294,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=\/wp\/v2\/posts\/284\/revisions\/294"}],"wp:attachment":[{"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cyrk.dk\/jjj\/musikblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}